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Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, the author argues that curation is far from a static practice.
Reviews
This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today