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The first book in an undiscovered, jazz-infused gem of 1990s crime fiction, starring the deeply charismatic Nanette Hayes.
Reviews
'Nanette Hayes may be the most charismatic crime-fiction heroine to appear in the last decade' * Booklist * 'Style's the thing in this breezy, sexy mystery narrated by Nanette, a French-speaking, sax-playing street musician' * Publishers Weekly * 'A terrific novel, from those witty, subversive opening sentences, to the edgy, melancholy and very satisfying ending' * Margo Jefferson, author of Negroland * 'Charlotte Carter has . . . the practical discipline needed to craft functional, human sentences [that] flow one into the next without embellishment or posturing' * Crime Times * 'This Grace Jones lookalike with a degree in French is a splendid creation' * Sunday Telegraph * 'The sweet, clear sound of Nanette's musical voice keeps us on her corner, tossing all the change we've got' * The New York Times on Rhode Island Red * 'This high-spirited tour of Paris has terrific charm . . . with the infectious energy of eternal youth' * The New York Times on Coq au Vin * 'Funky scenes of New York's musical underworld . . . [a] sweet and saucy narrative voice' * The New York Times on Drumsticks * 'This year's most original fictional detective- a sassy, black intellectual and saxophonist who is plunged into mayhem when an undercover cop gets killed in her apartment' * Good Housekeeping on Rhode Island Red * 'The love affair between jazz, black musicians and Paris is an eternal story; Carter illuminates it with rare intelligence and a gripping vortex of thrills, feeling and wit' * Time Out on Coq Au Vin *