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This is a fascinating study of African rewritings of Greek tragedy. The authors ask why the plays of Sophocles' Theban Cycle are so often adapted by dramatists of African descent, and how plays that dilate on the power of the past, in the inexorable curse of Oedipus and the regressive obsession of Antigone, can articulate the postcolonial moment.
Reviews
exemplary work... The authors explore in detail why the particular myths of their title have been taken up in postcolonial contexts