Satsuma Complex

*WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2023*

‘Funny, clever and sweet… there is a lot of Mortimer’s ridiculousness’ – Sunday Times

‘The much loved comic proves adept at noirish fiction in a debut whose surrealist humour sets it apart’ – Observer

‘Like Spike Milligan, Mortimer has managed to use a novel for his distinctive comedic voice’ – The Telegraph 

My name is Gary. I’m a thirty-year-old legal assistant with a firm of solicitors in London. To describe me as anonymous would be unfair but to notice me other than in passing would be a rarity. I did make a good connection with a girl, but that blew up in my face and smacked my arse with a fish slice.

Gary Thorn goes for a pint with a work acquaintance called Brendan. When Brendan leaves early, Gary meets a girl in the pub. He doesn’t catch her name, but falls for her anyway. When she suddenly disappears without saying goodbye, all Gary has to remember her by is the book she was reading: The Satsuma Complex. But when Brendan goes missing, Gary needs to track down the girl he now calls Satsuma to get some answers.

And so begins Gary’s quest, through the estates and pie shops of South London, to finally bring some love and excitement into his unremarkable life…

A page-turning story with a cast of unforgettable characters, The Satsuma Complex is the brilliantly funny first novel by bestselling author and comedian Bob Mortimer.

Değerlendirmeler

'Mr Clown Shoes. Lassoo the dog. The corn cob dongle. Just three hilarious elements of The Satsuma Complex – a surprisingly serious debut novel from Would I Lie To You? and Gone Fishing comedy star Bob Mortimer. The stellar success of his surreal and semi-truthful autobiography And Away… caused clamour for a fully fictional follow-up, and Mortimer fulfils the brief with a remarkably dark and gritty tale of sink estate murder, law and order mystery, and honey-trap romance. His distinctive tone and bizarrely British humour sing from every page, with the story swinging from side-splitting set-pieces to moments of real pathos and high drama. It’s a bit unusual, but you’ll love it.'